Iron Sharpens Iron


One of the more interesting sayings of Jesus with equally interesting theological implications is found in Mt. 18.18--" I tell you whatever you (i.e. Peter and the gang) bind on earth will be bound in heaven, and whatever you loose on earth will be loosed in heaven." . . . If the Evangelist, and/or Jesus before him had wanted to say "whatever is bound on earth, was already bound and determined in heaven" he could certainly have done so, first in Aramaic and then in a Greek rendering of the same. The fact is that Jesus here says the opposite. . . . Now we could debate endlessly about what this refers to. In my view it has to do with decisions about community matters such as are described in vss. 16-17. The point is that there is a heavenlyWhen one of his readers asked about the grammar used in this passage, Witherington responded:
ratification of such a spiritual decision on earth.
Firstly, the future tenses in the second clauses in this verse are just that future tenses, they are not perfect tenses.
When another reader pointed out the obvious--namely, that the periphrastic future-perfect is employed in this passage and not merely a future tense verb--Witherington responded:
Sorry but this is not the way such conditional statements in Greek work at all. You cannot judge these things on the basis of verb tenses and participles by themselves, but in context. When a future tense is in the apodosis of a future more probably conditional statement, it always implies a future condition, NOT a perfect one. Mounce is simply wrong about this if he was referring to conditional clauses.
Sorry, but the fact that a periphrastic participle happens to appear in a conditional clause has absolutely no bearing on the meaning of the periphrastic participle (what is Witherington’s authority for this? He does not say). A future-perfect periphrastic participle means “will have been,” not simply “will.” The action of such a participle in the apodosis of a conditional statement is indeed future, but it is always a past action from the standpoint of the action in the protasis. In the present case (Matt 18:18 and Matt 16:19), the periphrastic construction means “whatever you bind/loose will have been bound/loosed in heaven.” See the NASB on Matt 16:19 and Matt 18:18, as well as the notes for those passages in the NIV, the ESV, and the NET. I would refer the reader to D. A. Carson for more information on this construction, who concludes these statements "must therefore be rendered 'shall have been bound/loosed'" (Commentary on Matthew). While he is tentative about seeing future-perfect force purely on grammatical grounds, he argues convincingly that other "paradigmatic" considerations are at work here (particularly why this grammatical construction was used over against a simpler one which is more common--especially with the luo word group). See also Mantey's comments. I also checked with Turner and BDF, and found nothing to overturn this (in fact, Turner plainly states that the periphrastic future-perfect carries the normal force of a future-perfect, and lists both Matt 16:19 and 18:18 as examples, 89). I haven’t checked Wallace yet, but since he helped with the notes on the NET I cannot imagine him saying anything different. The point is, by the time Peter et al has bound or loosed, that binding/loosing has already taken place in heaven. There are still those who dispute this understanding, of course. But my larger point is that Witherington's fiat on the periphrastic participle and this passage won't hold. The passage simply does not support Witherington’s point about human free will. But even if we grant that Witherington's understanding of the participle is an exegetical option, it is still only one option. That's a far cry from the cut and dried way Witherington has argued his case. At best, it's a poorly chosen passage if his goal is to convince us of his Arminianism.
ES
It's springtime! . . .

. . . or, better, "A Foe Orthodoxy." From my neck of the woods . . .
"CCU President and former U. S. Senator Bill Armstrong has been aggressively bringing some of the best scholars and Christian authorities onto campus to speak to students and elevate campus commitment to open dialogue."Representing Baptist, Catholic, Episcopal, Evangelical, Messianic, Methodist and all of the traditional Christian denominations, GodTube is unique in its appeal and in its mission to "Broadcast Him".What else would one expect of a so-called "Christian forum" that places more importance and focus on hip-hop and shallow contemporary "christian music" than they do on sound exegetical Bible study (just go to their main page for proof)?

Yet Svedson [sic] affirms the Catholic view [of Matt 16], which is the historic view that noone [sic] denied before John Calvin. Not even Luther.
By the way I do believe that Svedson [sic] has changed his tune on the stuff about Peter and used to use the old petros, petra arguement [sic]
Dr. Svendsen,I originally thought Jeff's letter was intended to be a sincere, helpful critique of my article--that is until I received a second letter from him shortly thereafter in which it became clear that Jeff's true intent was to get "christian rap music" off the biblical examination table. Nevertheless, what follows is the response I composed after his first letter and before I received his second:
I originally was not going to send this comment do you because most of the time it's not worth trying to change a mind that is set in its ways. I hope that this will not be the case with you. Regarding your blog, "Yo , Get Crunk and Reprasent," I would like to encourage you to be more careful before passing judgments on entire genres of music. In your analysis of "Christian" Rap, you attacked the lyrics of a "Christian" group called "Organized Rhyme" somehow associated with the "Christian" Rapper "T-Bone." I was unfamiliar with this group, so I did a Google search and within 3 minutes had come across something I would have hoped you would have also come across in your preparation for this blog, but somehow did not. Wikipedia identifies "Organized Rhyme” as a “short lived Canadian hip-hop group based out of Ottawa.” I cannot find anywhere on the internet claiming this group is in any way, shape, or form “Christian”. Again, 2 minutes on Google and I discovered that the group T-Bone is referring to is called “Organized Rhyme Crew”. Clearly you have confused the two groups, an easy mistake to make. Such a mistake would normally not bother me, but this shows that you were either unable or unwilling to thoroughly research this topic before passing down judgment. I would hope that in the future you will give more care to make certain that your opinions are based on facts, especially before attacking the character of others.
Thank you,
Jeff Burns
I originally was not going to send this comment do you because most of the time it's not worth trying to change a mind that is set in its ways. I hope that this will not be the case with you.I’m always willing to be corrected, if I’m wrong. I don’t claim to be an expert on rap music, so I have nothing at stake in this. My expertise is in evaluating it from a biblical worldview.
Regarding your blog, "Yo , Get Crunk and Reprasent," I would like to encourage you to be more careful before passing judgments on entire genres of musicI’ll go one step further; I think the entire Christian Music industry is corrupt to varying degrees, not just the rap genre. For that matter so is the Christian Book Publishing industry (but that’s another topic—or rather, one I have already addressed in the past). Both of these industries have prostituted themselves and the gospel on the bed of being “accepted” and “liked” by the world. I also think the “Christian bumper sticker and t-shirt” industry is corrupt because it trivializes the gospel. Here’s another one—the entire “church industry” is corrupt as well. Just because exceptions might be found in all of these does not mean my comments directed toward the industry as a whole are somehow misplaced—any more than the fact that 7,000 have not bowed the knee to Baal somehow disproves the prophet’s condemnation of Israel as a nation. Do you deny the subjects of this genre of music, by and large, exhibit the characteristics I outlined in my article? Do you deny that the problem is pandemic?
In your analysis of "Christian" Rap, you attacked the lyrics of a "Christian" group called "Organized Rhyme" somehow associated with the "Christian" Rapper "T-Bone." I was unfamiliar with this group, so I did a Google search and within 3 minutes had come across something I would have hoped you would have also come across in your preparation for this blog, but somehow did not. Wikipedia identifies "Organized Rhyme” as a “short lived Canadian hip-hop group based out of Ottawa. I cannot find anywhere on the internet claiming this group is in any way, shape, or form “Christian”. Again, 2 minutes on Google and I discovered that the group T-Bone is referring to is called “Organized Rhyme Crew”.You jump too quickly here. Yes, you discovered that the group T-Bone is referring to is called the Organized Rhyme Crew, but what you fail to mention is that in the very song I posted by T-Bone, he calls his group (alternately) Organized Rhyme Crew, Organized Rhyme, Organized Rhyme bambinos, Organized Rhyme representers, Organized Rhyme (ORC), Organized Rhyme clique—and in fact the heading of this song on lyrics.com is . . . you guessed it . . . “T-Bone Organized Rhyme lyrics” (not “Organized Rhyme Crew lyrics”). And I discovered all this after only one minute on Google ; ) The evidence I was working with (and I really doubt you found something I did not) suggested it is one and the same. So, you probably should have stuck with your first instinct on this (that it was an easy mistake to make) and refrained from your further comment that I am “either unable or unwilling to thoroughly research this topic before passing down judgment.” Neither of those is true.
CT: Now because hip-hop often has a lot to do with image and lifestyle, do you ever feel the pressure to conform to that and make that a focus in your music?In other words, T-Bone is proud to be a street thug (we’re not talking about a socio-economic group, mind you, but rather a culture that is specifically opposed to righteousness). T-Bone takes pride in its shame. To him, it’s perfectly acceptable as a “Christian” to continue presenting yourself as a street thug, pursuing riches and symbols of wealth (the “benz” and the “bling”), flaunting that wealth (“I wear the bling”), because after all if it’s a good enough goal for a drug dealer, well then it should be good enough for a Christian.
T-Bone: Here's the funny thing, there's a lot of gospel rappers where hip-hop is living out their fantasy, and they kind of dress up to be the part, ya know? I am hip-hop. Hip-hop is what I grew up around. I wear the ice. I wear the bling. I don't see anything wrong with that. When God has blessed you, why can't you get something nice? Drug dealers and pimps shouldn't be the only ones driving a Mercedes. I got a Benz. For me it's not about something that I try to be or try to conform to. I'm just who I am. I was raised in the streets, so for me I have the same dress, I have the same appeal, I talk the same way that they do. I'm a product of the streets. I'm a product of hip-hop. This is the real deal. It isn't a make-up deal for me.
I don't like the label "Christian hip-hop" or "gospel hip-hop" because I feel like you alienate a lot of people. Or people have preconceived notions of what they think it is—especially with the kind of music this is. It's street music. Say you're going up to some thugs, and you say "Christian hip-hop" and think that sounds corny, ya know?Yeah, I know. And we certainly wouldn’t want to appear "corny," or to embarrass ourselves with the gospel in front of street thugs and drug dealers by openly preaching repentance (in a biblical way, not in a punk way)--because the gospel is something to be ashamed of, after all.
In other words, the “blend” that the apostle Paul insists should not exist (“What do righteousness and wickedness have in common? Or what fellowship can light have with darkness?”) are intentionally mixed together in T-Bone’s music for “amazing results.”Once I was filled with anger and madness. Now I'm full of love, peace and joy. Hip Hop is the language of the streets [anger and madness]. God is the language of love [peace and joy]. I mix the two together to see amazing results!"
Dr. Svendsen, I have just one word concerning your book Evangelical Answers....BRILLIANT!!! Ok, two words... Absolutely Brilliant...! Being a fairly new guy in discussion and debate with Roman Catholics on primarily U-Tube, I have most certainly been asked these very questions multiple times, usually when the RC gets tripped up and must resort to a traditional interpetation of Scripture, they generally throw out a red herring, in the form of questions you have covered in your book. I would like to thank-you brother, for helping me do theology, so I dont hurt myself..! lol. May the Lord of Glory continue to bless your ministry, and keep you razor sharp in all discernment, In His Service, Bill. Thank-you again!!!
The follow-up to Evangelical Answers is Upon This Slippery Rock, which examines and debunks the epistemological underpinnings of the roman catholic "authority" argument.
ES
Last week, through various circumstances, I found myself in conversation with someone who turns out to be a brother in the Lord and a youth pastor at an evangelical church. After he mentioned he would be playing in a Christian concert that evening the topic of conversation quickly turned to various styles of so-called Christian music on the scene today, most of which he enjoys listening to. I've always been skeptical of the contemporary Christian music industry because I have found the majority of it to be mindless drivel (embarrassingly "bubblegummy" drivel) that is theologically inept at best and blatantly heretical at worst. In the early 1980s, I remember having heard the lyrics of one song (can't even remember who sang it) that included the phrase "Jesus laid down his deity" (his interpretation of the kenosis in Philippians 2, no doubt).so in this next line Mayhem bout to get for real
half a y'all is wack, no lyrical talent, you pretenders
you're wrong about the Organized Rhyme representers
the other half approach if you wish to persist in my rage
you cease to exist when I enter the stage
I'm invincible, you invisible, break you down to pure minibles
now you miserable, destroy you with no intervals
in my mind I see a lyrical beam on your head
when its time to go to the battle zone all I see is red
cause you in danger, when I come through whos stoppin me ?
A kamikaze Mobb a Deep-er, than Havoc or Prodigy, uh
well it be my turn to bust, so watch out, you know the deal
I cut MCs like Zorro, leavin faces scarred up like Seal
really tho, so peep the voice, I be the B O N E
wit the crew who hold more championships than Wayne Gretzky
(cause we be) the Organized Rhyme bambinos
bustin more rhymes than tech 9s held by Al Pachino
so watch out, we comin full force with dope production
And these lyrics so phat, sometimes I need lyposuctions
huh, I'm in the house like a kitchen, flippin lyrics sweet like honey
And I got mo raps than the mummy
steady killin the demons everyday like Chunghatti
until the day God gone beam me up like Scotty
(oh yeah) did I forget to mention
that I be keepin MCs locked up like Shawshank Redemption
huh, its just a gift, now I be passin the microphone
back to my cousin who used to sling more keys than a lock smith, ahh